Keeper of the flame
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TGIF

Keeper of the flame

  • ASSOCIATED PRESS
                                Composer Alan Menken and his wife Janis Menken attend a special screening of Disney’s “Beauty and the Beast” at Alice Tully Hall on Monday, March 13, 2017, in New York.

    ASSOCIATED PRESS

    Composer Alan Menken and his wife Janis Menken attend a special screening of Disney’s “Beauty and the Beast” at Alice Tully Hall on Monday, March 13, 2017, in New York.

BEVERLY HILLS, Calif. >> Fans of the Broadway musical version of “Beauty and the Beast” might find they miss the song “If I Can’t Love Her” in the new live-action version of the film.

Composer Alan Menken, known for scoring some of Disney’s most widely recognized movie soundtracks, said he really wanted to include it. He wrote the soaring ballad, sung by the Beast, for the 1994 Broadway musical based on Disney’s 1991 animated movie, as the closing number before intermission.

“It’s a monumentally good song. But it is unique to the structure of a stage musical,” Menken said. He made a few attempts to find a place for the song, but lyricist Tim Rice dissuaded him, saying it would be jarring.

So, on the cutting room floor it went, along with some of the other Broadway additions, like “Home” (although some of the music from that song makes it into the new film).

MENKEN, who won Oscars for his “Beauty” score and the song “Beauty and the Beast,” said he knew the new musical film was in the hands of director Bill Condon.

“I have to balance being the keeper of the flame of the original and the Broadway show and being an enthusiastic and supportive team member in bringing it into new territory,” Menken said. “With ‘Beauty’ I was blessed to have Bill Condon. … He’s smart, he loves musical theater and he loves ‘Beauty and the Beast.’”

“Beauty” fans need not despair about too many changes. All of the songs written by Menken and Howard Ashman for the 1991 film are in this new version, out today — with a few tweaks and some newly unearthed Ashman lyrics that attentive listeners might notice in the songs “Gaston” and the closing version of “Beauty and the Beast.” (Ashman died of complications from AIDS before the animated film was released.)

The cuts from the Broadway version made room for three new songs from Menken and Rice, including a more fitting ballad for the Beast, “Evermore,” sung after he lets Belle go.

“We had these up numbers and the one ballad, so we felt we could afford gentler or more anthemic moments,” Menken said of the new songs.

There’s one for the Beast’s household objects, “Days in the Sun,” and one for Belle’s father, Maurice (played by Kevin Kline), “How Does a Moment Last Forever.”

In his career, which has lasted more than 30 years, Menken has seen much of his work live on beyond the screen. He’s had many of his projects adapted into Broadway musicals, including “The Little Mermaid” and “Aladdin,” which are also on the docket for future live-action renderings. And he says he loves different interpretations of his compositions.

“I think of myself as an architect,” he said. “I design a structure and other people live in it.”

It’s one of the qualities that makes him such a skilled composer and songwriter.

“His music, I find, is very easy to sing because he’s done all the work for you. You don’t have to put anything on it. It’s all there,” said Broadway veteran Audra McDonald.

“He’s one of those composers who can grab your heart with a melody, so much so that you don’t even realize it because he’s so simple about it. You don’t realize that he’s reaching in and taking your heart and ripping it out — or massaging it.”

While much of the supporting cast had some Broadway experience, Menken acknowledges that leads Emma Watson and Dan Stevens were a bit green in that area.

“They both were a little deer-in-headlights,” Menken said.

Watson, in particular, needed space to find her voice as Belle.

“I’m not used to being an intimidating presence, but I think the composer was a little scary to her, so we made sure she had her own vocal coach,” Menken said. “I stepped back, which was fine. The songs speak for themselves. I could always give my notes from a distance.”

For what it’s worth, Watson is now comfortable around Menken, he said.

Menken might have a dozen things going on at any given time, but he can still sit down at a piano and launch into anything from his catalog. You name a lyric and he’ll finish it without pause.

The impact of his work on generations of children is not lost on him. Now, in addition to a handful of ongoing projects, including international runs of many of his stage productions, Menken is gearing up to do it all over again and work on the live-action “Little Mermaid” with Lin-Manuel Miranda, whom he’s known since Miranda was a child.

As for “Beauty”?

“People are very grateful that we didn’t screw it up,” he laughs.

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