Fine performances from two stage and screen veterans, and a keen sense of balance between humor and poignancy, elevates "Love Is Strange" above what it might have been in lesser hands: contrived and sentimental.
It's not for nothing that the names of Sam Spade and Philip Marlowe are reverentially referenced in writer-director Scott Frank's adaptation of the tenth novel in Lawrence Block's best-selling series featuring private eye Matthew Scudder.
Serenely melancholy but unfailingly melodramatic, "The Disappearance of Eleanor Rigby" is a tone poem to love and loss that goes on too long and is more intent on creating a sad mood than with breaking your heart.
Smith's iconic foul-mouthed characters demonstrates just how far the director has stretched (or strayed) from his days as the purveyor of smart gross-out humor in comedies like "Clerks" and "Chasing Amy."
"This is Where I Leave You" is a big, broad dysfunctional family comedy, sort of a "Parenthood" pushed into R-rated "Adulthood" territory. Jonathan Tropper has turned his novel into a script that becomes the quintessential Shawn Levy comedy.
One of the problems with movies based on young adult fiction — "Divergent," "Ender's Game" and "The Giver" — is that they tend to take a long time trying to explain the complicated world where the action unfolds.
Best Fall Fair: 9 a.m. to 1:30 p.m. Saturday, Ewa Community Church, 91-1258 Renton Road, with crafts, baked goods, food, rummage sale, collectibles and more. Call 681-3471 or email firstname.lastname@example.org.
Warning: Your television is about to be slammed with a mind-boggling array of new shows featuring everything from comic book titans and political power players to kooky sitcom families, to one really bad judge.
More zombies, more comic book shows, more cynical takes on modern romance, more socially inept geeks solving crimes and, of course, more creatively bankrupt reality and competition shows: That pretty much sums up what's left of television's vestigial organ known as "the fall season."
You might have thought "Dolphin Tale," the sleeper hit kids' film of a few falls back, was a complete, compact and uplifting story that didn't really need a second act. And if so, you were on the money.
Does Michel Gondry dream of being a toymaker, a watchmaker or the master of his own private circus? That certainly seems likely, given the ingenious contraptions, live-action and animated, that motor and hum through his latest, "Mood Indigo."
"The Pirates" is the latest in the line of swashbuckling period epics from South Korea, hot on the heels of "The Admiral: Roaring Currents" and "Kundo: Age of the Rampant." All of them have been huge hits at home.
"The Identical" is based on a "what if" that straddles the line between ingenious and loopy: Suppose Elvis Presley's stillborn twin had lived, been raised separately and unaware that he had a brother, and eventually turned into a world-class Elvis impersonator?
"Code Black" opens in chaos, settles into systemic calm and ends with young doctors struggling against "the failure of the system" to get back some of that chaos at L.A. County Hospital's "legendary" emergency room.
Make your own scary movie in the annual Halloween Video Contest sponsored by the Honolulu Star-Advertiser and Hawaii News Now. Entries must not exceed 5 minutes and must comprise original content that has not appeared elsewhere.
As far as Hollywood is concerned, summer is in the rearview mirror. Fall movie season has arrived and will stretch into November when it gives way to holiday films including "Into the Woods" from director Rob Marshall.
Dr. Kim Williams thought he followed a heart-healthy diet: He avoided red meat and fried foods. He ate his chicken breast without the skin. Then in 2003, he realized his level of LDL, the so-called "bad" cholesterol, was too high.
"Kundo: Age of the Rampant" may be unknown to the broader American public, but for fans of South Korean cinema, it's already legendary. The film debuted in its home country this year with an opening-day box-office record.
Though it takes place in Poland in 1962 — a weary, disenchanted country grinding along under gray, post-Stalinist skies — Pawel Pawlikowski's "Ida" has some of the structure and feeling of an ancient folk tale.
"Frank" feels like a "festival film" aimed squarely at one festival. Here's an eccentric tragicomedy with music, built to play like gangbusters at Austin's South by Southwest music-movie fanboy/fangirl festival.
Two Hawaii students are among 30 international finalists selected to compete at the Toyota Dream Car Art World Contest. Teah Arlene Laupapa, 12, of Kapolei Middle School, and Emma Hiilani Thain, 11, a home-schooled student from Koloa, Kauai, were among 30 selected from a total of 628 international finalists and 660,000 entrants worldwide.
Bright-red gowns were well represented at the Emmy Awards Monday night, seen on Julia Louis-Dreyfus, Christina Hendricks, January Jones, Octavia Spencer, Claire Danes, Minnie Driver, Uzo Aduba and Kaley Cuoco, among many.
The 66th Primetime Emmy Awards was a win for broadcast and cable television, which earned numerous awards as the digital gate-crasher Netflix was nearly shut out. AMC's "Breaking Bad" scored big on Monday night.
Frank Miller and Robert Rodriguez, who collaborated in 2005 on the serialized, stylish and brutally satisfying "Sin City," should have stopped there. "Sin City: A Dame to Kill For" is based on the graphic novel series by Miller.
"When the Game Stands Tall" is a solid if unsurprising and uninspiring melodrama built around high school football, faith-based but "Friday Night Lite." It's the latest of that peculiar sub-genre of sports films.
Every so often, a movie comes along and reminds us of the primacy of the pretty picture. "Island of Lemurs: Madagascar" is so gorgeously photographed that it's very much like visiting that exotic island off the coast of Southern Africa.
Chloe Grace Moretz takes on her first real star-vehicle romance in this adaptation of Gayle Forman's novel. Moretz is Mia, a Portland, Ore., high school cello prodigy who, 12 minutes into the movie, is in a car crash.
John Michael McDonagh's 2011 debut, "The Guard," provided the wonderful Brendan Gleeson with a vehicle for some of his best screen work, playing an Irish West Country cop unencumbered by diplomacy skills.
Aside from setting the movie in Iceland, the makers of "Land Ho!" don't stray too far from this formula except in the most unfortunate ways: There is no personal growth and certainly no epiphanies. Instead of character arc, we get a plodding straight line.
The 12th Doctor will see you now. That would be the latest actor to portray the time-traveling fixer, Doctor Who — Peter Capaldi — who officially assumes the TARDIS with the eighth season premiere of the cult hit Saturday night.
As the much-anticipated, new "Teenage Mutant Ninja Turtles" movie rolled into theaters last week, young fans are clamoring for plastic swords, blue bandannas and (foam) throwing stars. Some, perhaps many, also will want a turtle as a pet.
For college kids who move off-campus, learning to accommodate the styles and needs of housemates is good practice for life after school. Here are some typical problem areas, with advice from two designers on how to solve them:
"What If" is a healthy serving of great "obstacles to romance," generous helpings of cute, alluring leads, a dash of funny-sexy "best friends," an enticing location filmed at its best and topped with bright, witty (but not precious) banter.
"Magic in the Moonlight," Woody Allen's new film, stages a debate that will be familiar to anyone who has seen more than a couple of the previous 43. If the idea of a universe of unmotivated chaos seems scary, rest assured that the reality of 98 minutes of unmotivated order is worse.
The steroidal title characters in "Teenage Mutant Ninja Turtles" look as if they're going to end up on a cartoon version of the Mitchell Report. Come to think of it, the whole "TMNT" movie is overinflated.
Disaster movies are by design not long on character development. Instead they bank on our love of being virtually, vicariously in fear for lives. Still, they need to establish personalities deep enough to care about, or at least halfheartedly root for.
The one thing many first remark about Richard Linklater's "Boyhood," the Austin director's joyous and life-affirming love letter to adolescence and family, is how he filmed it over the course of 12 years with the same cast.
What is it about recent food movies that, despite their virtues, they have to be so darned corny, so dewy-eyed, with everything tied up in a feel-good bow at the end? It's as if all that great food on set had this tranquilizing effect.
"Guardians of the Galaxy" is the film that moviegoers have been waiting for all summer. "Godzilla" and "Dawn of the Planet of the Apes" featured action, but they just didn't have the energy that makes summer popcorn movies pop.
There's a delicious moment in "Get On Up," Tate Taylor's new James Brown biopic, when Brown — played by Chadwick Boseman, in a thrillingly magnetic performance — is about to appear on the T.A.M.I. Show, a multi-act concert filmed in 1964.
"The Killing" returns Friday for one last somber season, a six-episode coda on Netflix. Based on the Danish drama "Forbrydelsen," "The Killing" will always be best known for something that had nothing to do with whether it was a good show.
Like some demented combination of "Taken" and Terrence Malick's "The Tree of Life," "Lucy," the latest from Luc Besson, is a full-out action movie — and a sober rumination on the nature of existence. It is both things, effectively and sincerely.
You can sense a John le Carre spy novel adaptation, often before his name turns up in the credits. The hero's cynicism at war with his skepticism, the professionalism at war with personal demons — in the spy master's gloomy, overcast world they're all spies "Who Came in from the Cold."
At Zazzle and Cafepress you can upload favorite images and decorate custom journals and notebooks with different fonts and colors. There are also fun backgrounds like chevrons, animal prints, sports themes and nature motifs that can be jazzed up with monograms or catchphrases. (www.zazzle.com, www.cafepress.com)
The clever conceit behind James DeMonaco's 2013 sleeper hit "The Purge" was not that American society had resolved its crime, inequality and population problems with an annual free-pass-for-murder "purge."
Zach Braff's "Wish I Was Here" is a sweet and jokey feature film that is so at home in the punch line rhythms of TV sitcoms that you may think to yourself, "When's his best friend former 'Scrubs' co-star Donald Faison showing up?"
Judd Apatow's landmark film rightfully ushered in a new era in comedy, but it has also inspired a now sizable cottage industry of thin movies ("The Hangover," "The Five-Year Engagement," "Bad Teacher," "Horrible Bosses," "The Other Woman") with concepts boasting good titles but shallow stories.
"Dawn of the Planet of the Apes" is an action-packed epic, a moving sci-fi allegory rendered in broad, lush strokes by the latest state of the computer animator's art. Yes, you will believe a chimp can talk, ride a horse and fire a machine gun.
Sebastian Junger's "Korengal" is a kind of sequel to 2010's "Restrepo," but also stands on its own as an intense and affecting report on the experiences of U.S. troops in one of the most dangerous areas of Afghanistan.
He has been referred to as Korea's version of Quentin Tarantino, with Quentin Tarantino himself recently likening him to Steven Spielberg. Now, with "Snowpiercer," Bong Joon-ho makes his English-language debut.
It takes 90 minutes for Dinesh D'Souza's rambling, mistitled "America: Imagine the World Without Her" to get to its real point. There's D'Souza, arch-conservative Ivy League immigrant, creator of the popular anti-Obama screed "2016: Obama's America," in handcuffs.
There's only one thing anyone really needs to know about "Transformers: Age of Extinction," Michael Bay's fourth exercise in robot-on-robot violence and aggressive product placement: At nearly three hours, it's the longest "Transformers" movie yet.
"Ilo Ilo" is writer-director Anthony Chen's first film, but breathtaking intimacy in storytelling is already second nature to him. It quietly demonstrates that in the right hands even the familiar stuff of everyday life can move us deeply.
In a breezy and seemingly effortless way "Obvious Child" accomplishes something difficult. It's a comedy with abortion at its center that doesn't fall into about a dozen traps that might have swallowed it up.
The acting world's treating Spencer Boldman pretty good these days. Not only does he star in the new Disney Channel original movie "Zapped," but his Disney XD series "Lab Rats" has been ordered for a fourth season.
It's little wonder that the stage musical "Jersey Boys" has become one of the most successful shows in Broadway history on the strength of sublimely catchy tunes like "Sherry," "Big Girls Don't Cry" and "Walk Like a Man."
Realism is too imprecise a term for Kelly Reichardt's filmmaking. She is more of a materialist, determined to capture how the world looks, how it feels and, at a granular level of detail, how it works.
Masterfully brought to life by Guy Pearce in a performance of pure controlled ferocity, Eric and his implacable, obsessive, stop-at-nothing quest to recover his stolen vehicle is the centerpiece of David Michtd's tense and remorseless "The Rover."
What happens in Vegas happens a lot in movies. "Think Like a Man Too" goes to the same casinos, strip clubs and pleasure pools with a fistful of jokers and an ace up its sleeve, the irrepressible Kevin Hart.
Mike Myers spent 20 years trying to persuade his friend, talent manager Shep Gordon, to let him make a movie about Gordon's storied and star-studded life and career. Myers and Gordon met in 1991 during the filming of "Wayne's World."
THERE'S almost no dragon training in "How to Train Your Dragon 2." A more accurate title would have been "How to Keep Your Dragons from Getting Enslaved by a Tyrannical Despot." Or, to keep things simpler to fit the movie posters, "Game of Thrones for Kids."
You're pretty much going to have to see "22 Jump Street" twice — just to catch all the jokes the roars of laughter make you miss. This comedy produces the biggest, loudest laughs of any movie this summer.
"For No Good Reason," a well-intended biographical film about Ralph Steadman, famed for the outrageous, acidic caricatures he created to accompany the writings of Hunter S. Thompson, is best suited for Steadman fanatics
"Words and Pictures" is the cloying title of a cloying little comedy made by talented people who, not that long ago, deserved better than this, and knew it.
It's a nearly two-hour-long "meet cute" academic romance from Fred Schepisi.
June should be officially designated "David Tennant Month" for the number of shows he's appearing in. Who is David Tennant? Clearly, you haven't watched the BBC's "Doctor Who" or "Broadchurch," in which he starred as a scruffy detective hunting a child murderer.
"The Signal" starts off as an alien version of "Blair Witch Project" and then drifts off into cold plotlessness. But for a while, a little while, it seems like it just might be interesting. Three young people are on a road trip through the Southwest.
The time-shifting sci-fi thriller "Edge of Tomorrow" has perfectly encapsulated what it is to be a summertime moviegoer. We're dropped into a battlefield of digital effects with the fate of the world at stake.
If you're a fan of the wildly popular young-adult book by John Green and have already shed tears at its story of teenage cancer patients learning about life, love and sex as they fight to stay alive, then you'll be a fan of this movie.
"Blue Ruin" is a moody, stripped-down action thriller with the most unlikely vigilante one could imagine. Dwight (Macon Blair) is no buffed-up hero, but a soft and skittish loner who has no idea how to hold a gun, much less use it.
With school kids starting their summer break, more families may be hitting the beaches or having pool parties. Drowning is the fifth leading cause of unintentional injury death in the U.S., according to the CDC.
Whatever your taste, the publishing world has an offering for you, whether it's sci-fi populated by talking bees (Laline Paull's "The Bees") or the would-be Proustian Norwegian literary event of the season, "My Struggle," by Karl Ove Knausgaard.
I’ve been on a slow boil for several years about why television, even when it’s great, isn’t always “fun.” It may be that great quality crowds “fun” off the screen — you react with passion, fascination, shock, awe, sadness and all kinds of other emotions to shows like “Breaking Bad,” “Mad Men” and “Game of Thrones,” but watching them isn’t “just” fun because it’s not meant to be.
Writer-director Seth MacFarlane gives you 10 jokes where other comedians give you one, so even if you don't like five of them, you will still come out way ahead with "A Million Ways to Die in the West."
Joe, a 400-pound Latino boy from Houston, weeps in fear and frustration. He's not alone. Maggie, a 212-pound 12-year-old from Oklahoma, joins him. Wesley, an overweight 13-year-old in Houston, is desperate.
Maybe it's too soon to say the tide has shifted definitively. But it's certainly been a unique time for fairy-tale villains. After hundreds of years of moral clarity, suddenly we're getting a new look at these evil creatures, who are actually turning out to be complex beings, and not that bad at all.
The summer Obon season is nearly here, honoring the Buddhist tradition of commemorating family ancestors, who are said to return to this world to visit relatives. Here is a list of festivities across the state.
It may be surprising that a Disney movie centered around two female characters, the sisters Elsa and Anna, could drive such staggering sales. But the real eye-opener is the strength and scope of the film's grip on children, girls and boys alike.
The Print Replica of the newspaper is a page-by-page replica of the day's printed newspaper - including all stories, sections, photos and ads - not including advertiser preprints - in PDF like form. It can be viewed on your computer's web browser, iPad, iPhone and some e-Readers.