The genre-hopping “Anora,” a nonchalant take on sex work filled with shouted profanities, won best picture and four other Oscars at the 97th Academy Awards. It was a nontraditional choice that reflected an academy in transition — younger, edgier and not terribly concerned about ticket sales.

Sean Baker, the force behind “Anora,” which cost $6 million to make, won Oscars for directing as well as his original screenplay and editing. Mikey Madison, 25, won best actress for playing the film’s title role, a victory that few awards handicappers saw coming. (Hollywood veteran Demi Moore had been expected to win for her body-twisting performance in “The Substance.”)

“I want to thank the sex worker community,” Baker said when accepting the screenwriting award. “My deepest respect. I share this with you.” Later, he dedicated his directing Oscar to his mother.

“Anora,” which was distributed by Neon, set a record for the lowest domestic ticket sales in best picture history (outside of a pandemic). Baker’s film has collected only $15.7 million in the United States and Canada since arriving in theaters in October, according to Comscore, which compiles ticketing data.

The previous record-holder was “The Hurt Locker,” which had $17 million in domestic sales, or about $26 million after adjusting for inflation, when it won Hollywood’s top prize in 2010.

Another indie movie, “The Brutalist,” which cost $10 million to make and has taken in $15.8 million, received three Oscars. Adrien Brody won best actor for his performance as a Holocaust survivor in the film, which was also honored for its cinematography and score. It was Brody’s second Oscar, having won in 2003 for playing a Holocaust survivor in “The Pianist.”

“I pray for a happier and healthier and more inclusive world,” Brody said in his acceptance speech, as he pushed past an attempt by the orchestra to play him offstage. “If the past can teach us anything, it’s a reminder to not let hate go unchecked.”

The strong showings for “Anora” and “The Brutalist” reflect the efforts the Academy of Motion Picture Arts and Sciences has made over the past decade to diversify its voting ranks, in part by sharply expanding overseas membership. More esoteric films have been celebrated as a result. At least nine of the artists who received Oscars on Sunday were from countries other than the United States.

“Wicked” won two Oscars (production design and costume design), as did the Netflix musical “Emilia Pérez” (song and supporting actress). “Dune: Part Two” also collected a pair (sound and visual effects).

“Conclave,” was a winner for adapted screenplay. Kieran Culkin won best supporting actor for his performance in “A Real Pain,” about mismatched cousins on a trip to Poland. “Flow,” an independent Latvian movie about a courageous cat, beat “The Wild Robot” and “Inside Out 2” to win the Oscar for best animated film.

The ceremony began with a tribute to Hollywood’s home city of Los Angeles, parts of which were recently ravaged by wildfires, and Ariana Grande singing “Somewhere Over the Rainbow.” That keep-the-faith “Wizard of Oz” standard gave way to a rousing rendition of “Defying Gravity” from “Wicked,” with Grande joined by her co-star Cynthia Erivo.

Here’s what else to know about the show:

— Supporting roles: Zoe Saldaña won the supporting actress Oscar for her performance in “Emilia Pérez,” while Kieran Culkin was honored for his supporting performance in “A Real Pain.” Both had faced grumbles of category fraud — that they really should have run as leads. See the full list of winners.

— Documentary winners: “No Other Land,” about the Israeli-Palestinian conflict, won best documentary. “We call on the world to take some action to stop the unjustice and to stop the ethnic cleansing of Palestinian people,” Basel Andra, one of the film’s directors, said from the stage, introducing a strong dose of politics into a ceremony that had mostly avoided the topic. “The Only Girl in the Orchestra” won best documentary short.

— The host: Conan O’Brien, hosting the show for the first time, approached the event with a light touch: little roasting and politics.

— Tribute to Los Angeles: The slow-moving ceremony, which stretched to nearly four hours, began with a tribute to Hollywood’s home city of Los Angeles, parts of which were recently ravaged by wildfires, and Ariana Grande singing “Somewhere Over the Rainbow.” That keep-the-faith “Wizard of Oz” standard gave way to a rousing rendition of “Defying Gravity” from “Wicked,” with Grande joined by her co-star Cynthia Erivo.

— Diminishing support: How to lose an Oscar in 10 days? The most-nominated film, “Emilia Pérez,” could tell you. It was viewed as the favorite for best picture when it received 13 nominations, but voter support vanished amid a series of quick-breaking controversies, including the discovery of a series of derogatory comments the movie’s star, Karla Sofía Gascón, posted online years ago.

— Trouble with Hulu: After promoting and promoting (and promoting) the fact that the Oscars had finally joined the modern world — that the ceremony would be streamed for the first time — Hulu bungled its big moment: Tens of thousands of users reported malfunctions with the Disney-owned Hulu early in the telecast, according to the site Downdetector. It wasn’t a great night for Disney all around. “A Complete Unknown,” from Disney’s Searchlight division, went into the ceremony with eight nominations and left with nothing.

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2025 OSCAR WINNERS

Best Picture

“Anora”

Nominees in this category: “The Brutalist”; “A Complete Unknown”; “Conclave”; “Dune: Part Two”; “Emilia Pérez”; “I’m Still Here”; “Nickel Boys”; “The Substance”; “Wicked”

Best Director

Sean Baker, “Anora”

Nominees in this category: Jacques Audiard, “Emilia Pérez”; Brady Corbet, “The Brutalist”; Coralie Fargeat, “The Substance”; James Mangold, “A Complete Unknown”

Best Actor

Adrien Brody, “The Brutalist”

Nominees in this category: Timothée Chalamet, “A Complete Unknown”; Colman Domingo, “Sing Sing”; Ralph Fiennes, “Conclave”; Sebastian Stan, “The Apprentice”

Best Actress

Mikey Madison, “Anora”

Nominees in this category: Cynthia Erivo, “Wicked”; Karla Sofía Gascón, “Emilia Pérez”; Demi Moore, “The Substance”; Fernanda Torres, “I’m Still Here”

Best Supporting Actor

Kieran Culkin, “A Real Pain”

Nominees in this category: Yura Borisov, “Anora”; Edward Norton, “A Complete Unknown”; Guy Pearce, “The Brutalist”; Jeremy Strong, “The Apprentice”

Best Supporting Actress

Zoe Saldaña, “Emilia Pérez”

Nominees in this category: Monica Barbaro, “A Complete Unknown”; Ariana Grande, “Wicked”; Felicity Jones, “The Brutalist”; Isabella Rossellini, “Conclave”

Original Screenplay

“Anora”

Nominees in this category: “The Brutalist”; “A Real Pain”; “September 5”; “The Substance”

Adapted Screenplay

“Conclave”

Nominees in this category: “A Complete Unknown”; “Emilia Pérez”; “Nickel Boys”; “Sing Sing”

Animated Feature

“Flow”

Nominees in this category: “Inside Out 2”; “Memoir of a Snail”; “Wallace & Gromit: Vengeance Most Fowl”; “The Wild Robot”

Production Design

“Wicked”

Nominees in this category: “The Brutalist”; “Conclave”; “Dune: Part Two”; “Nosferatu”

Costume Design

“Wicked”

Nominees in this category: “A Complete Unknown”; “Conclave”; “Gladiator II”; “Nosferatu”

Cinematography

“The Brutalist”

Nominees in this category: “Dune: Part Two”; “Emilia Pérez”; “Maria”; “Nosferatu”

Editing

“Anora”

Nominees in this category: “The Brutalist”; “Conclave”; “Emilia Pérez”; “Wicked”

Makeup and Hairstyling

“The Substance”

Nominees in this category: “A Different Man”; “Emilia Pérez”; “Nosferatu”; “Wicked”

Sound

“Dune: Part Two”

Nominees in this category: “A Complete Unknown”; “Emilia Pérez”; “Wicked”; “The Wild Robot”

Visual Effects

“Dune: Part Two”

Nominees in this category: “Alien: Romulus”; “Better Man”; “Kingdom of the Planet of the Apes”; “Wicked”

Original Score

“The Brutalist”

Nominees in this category: “Conclave”; “Emilia Pérez”; “Wicked”; “The Wild Robot”

Original Song

“El Mal” (“Emilia Pérez”)

Nominees in this category: “The Journey” (“The Six Triple Eight”); “Like a Bird” (“Sing Sing”); “Mi Camino” (“Emilia Pérez”); “Never Too Late” (“Elton John: Never Too Late”)

Documentary Feature

“No Other Land”

Nominees in this category: “Black Box Diaries”; “Porcelain War”; “Soundtrack to a Coup d’Etat”; “Sugarcane”

International Feature

“I’m Still Here,” Brazil

Nominees in this category: “The Girl With the Needle,” Denmark; “Emilia Pérez,” France; “The Seed of the Sacred Fig,” Germany; “Flow,” Latvia

Animated Short

“In the Shadow of the Cypress”

Nominees in this category: “Beautiful Men”; “Magic Candies”; “Wander to Wonder”; “Yuck!”

Documentary Short

“The Only Girl in the Orchestra”

Nominees in this category: “Death by Numbers”; “I Am Ready, Warden”; “Incident”; “Instruments of a Beating Heart”

Live-Action Short

“I’m Not a Robot”

Nominees in this category: “A Lien”; “Anuja”; “The Last Ranger”; “The Man Who Could Not Remain Silent”

This article originally appeared in The New York Times.