comscore ‘Everything Everywhere’ tops Oscar nominations with 11
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‘Everything Everywhere’ tops Oscar nominations with 11

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  • VIDEO BY AP

    The sci-fi indie hit "Everything Everywhere All at Once" leads nominations to the 95th Academy awards, with 11 nominations.

  • ALLYSON RIGGS/A24 FILMS VIA ASSOCIATED PRESS
                                This image shows, from left, Stephanie Hsu, Michelle Yeoh and Ke Huy Quan in a scene from, “Everything Everywhere All At Once.”

    ALLYSON RIGGS/A24 FILMS VIA ASSOCIATED PRESS

    This image shows, from left, Stephanie Hsu, Michelle Yeoh and Ke Huy Quan in a scene from, “Everything Everywhere All At Once.”

NEW YORK >> The multiverse-skipping sci-fi indie hit “Everything Everywhere All at Once” led nominations to the 95th Academy Awards as Hollywood heaped honors on big-screen spectacles like “Top Gun: Maverick” and “Avatar: The Way of Water” a year after a streaming service won best picture for the first time.

Daniel Scheinert and Daniel Kwan’s “Everything Everywhere All at Once” landed a leading 11 nominations today, including nods for Michelle Yeoh and comeback kid Ke Huy Quan, the former child star of “Indiana Jones and the Temple of Doom.” Released back in March, the A24 film has proven an unlikely Oscar heavyweight against the expectations of even its makers. Yeoh became the first Asian actor nominated for best actress.

“Even just to be nominated means validation, love, from your peers,” said an “overwhelmed” Yeoh speaking by phone from London. “What it means for the rest of the Asians around the world, not just in America but globally, is to say we have a seat at the table. We finally have a seat at the table. We are being recognized and being seen.”

The 10 movies up for best picture are: “Everything Everywhere All at Once,” “The Banshees of Inisherin,” “The Fabelmans,” “Tár,” “Top Gun: Maverick,” “Avatar: The Way of Water,” “Elvis,” “All Quiet on the Western Front,” “Women Talking” and “Triangle of Sadness.”

Nominations were announced today from the academy’s Samuel Goldwyn Theater in Beverly Hills, California, by Riz Ahmed and Allison Williams. If last year’s Oscars were dominated by streaming — Apple TV+’s “CODA” won best picture and Netflix landed a leading 27 nominations — movies that drew moviegoers to multiplexes after two years of pandemic make up many of this year’s top contenders.

For the first time, two sequels — “Top Gun: Maverick” and “Avatar: The Way of Water” — were nominated for best picture. The two films together account for some $3.5 billion in box office. Tom Cruise missed out on an acting nomination, but “Top Gun: Maverick” — often credited with bringing many moviegoers back to theaters — walked away with seven nominations, including best sound, best visual effects and best song for Lada Gaga’s “Hold My Hand.” Ryan Coogler’s “Black Panther: Wakanda Forever,” made in the wake of Chadwick Boseman’s death, also scored five nominations, including the first acting nod for a performance in a Marvel movie: Angela Bassett, the likely favorite to win best supporting actress.

Going by earlier guild nominations, Martin McDonagh’s Ireland-set dark comedy “The Banshees of Inisherin” may be the stiffest competition for “Everything Everywhere All at Once” at the Oscars. The Searchlight Pictures film landed nine nominations today, including nods for McDonagh’s directing and screenplay, and a quartet of acting nominations: Colin Farrell for best actor, Kerry Condon for best supporting actress and both Brendan Gleeson and Barry Keoghan for best supporting actor.

Baz Luhrmann’s bedazzled biopic “Elvis” — another summer box-office hit, with $287.3 million worldwide — came away with eight nominations, including a best actor nod for star Austin Butler and nominations for its costumes, sound and production design.

Though Steven Spielberg’s “The Fabelmans” struggled to catch on with audiences, the director’s autobiographical coming-of-age tale landed Spielberg his 20th Oscar nomination and eighth nod for best-director. John Williams, his longtime composer, extended his record for the most Oscar nominations for a living person. Williams’ 53rd nominations trails only Walt Disney’s 59. “The Fabelmans” marks Spielberg’s 12th best-picture nomination as a producer.

In the ultra-competitive best actress race, “Fabelmans” star Michelle Williams was nominated after being passed over by the Screen Actors Guild. The other nominees for best actress are: Ana de Armas, “Blonde”; Cate Blanchett, “Tár” and Andrea Riseborough, who emerged as a late contender after a host of celebrities rallied around her performance as an alcoholic West Texas mother in the little-seen “To Leslie.” Notably left out of the category were Viola Davis (“Woman King”) and Danielle Deadwyler (“Till”).

Only one streaming title broke into the best picture field: The German WWI film “All Quiet on the Western Front.” Though Netflix for the first time in years lacks a possible best picture frontrunner, “All Quiet on the Western Front” landed a better-than-expected nine nominations, including best international film and best adapted screenplay. The streaming service also has the top animated film contender in “Guillermo del Toro’s Pinocchio,” which was nominated for best animated feature alongside “Marcel the Shell With Shoes On,” “Puss in Boots: The Last Wish,” “The Sea Beast” and “Turning Red.”

Along with Butler and Farrell, the best actor nominees are: Brendan Fraser, hailed for his comeback performance as an overweight shut-in in “The Whale,” Bill Nighy for “Living” and, in a surprise for one of the most critically lauded films of the year, Paul Mescal, for Charlotte Wells’ father-daughter tale “Aftersun.”

Brian Tyree Henry landed his first Oscar nomination for his supporting turn in “Causeway,” in which he starred opposite Jennifer Lawrence. (“I’m so grateful,” Tyree said in a statement. “And to the random man in the elevator who saw me scream at the news, thank you for hugging me and not freaking out!!!!!!”) In the supporting actress category, two “Everything Everywhere All at Once” actors — Jamie Lee Curtis and Stephanie Hsu — were nominated along with Hong Chau (“The Whale”), Condon and Bassett.

Quan and Chau — both the children of Vietnam War refugees — and the California-born Hsu and the Malaysia-born Yeoh together make it the most acting nominations ever for Asian or Asian American actors. For Quan, a much-loved face of the 1980s from “Goonies” and “Temple of Doom,” the nomination was a once-unfathomable pinnacle. After his acting opportunities dried up, Quan quit acting for years before being offered the part of Waymond. Speaking by phone from Los Angeles, Quan remembered having dreams as a child of attending the Academy Awards.

“It just seemed so far-fetched. Especially when I had to step away from acting for so many years, that dream seemed like it was dead,” Quan said. “My whole thing was: I just wanted a job.”

After the best director category saw back-to-back landmark wins for female filmmakers — Chloé Zhao (“Nomadland”) in 2021, Jane Campion (“The Power of the Dog”) last year — no women were nominated for best director. But in the best picture group, one of the up-for-grabs final slots went to Sarah Polley’s “Women Talking,” a parable of sexual assault and justice. Polley was also nominated for best adapted screenplay.

In the end, the Oscar push for the Indian action sensation “RRR” landed a sole nomination: best song for M.M. Keeravaani’s “Naatu Naatu.” The Palme d’Or-winning satire from Swedish director Ruben Östlund, “Triangle of Sadness,” scored three big nominations, for best picture, best director and best original screenplay.

Along with “All Quiet on the Western Front,” the nominees for best international film are: “Argentina, 1985” (Argentina); “Close” (Belgium); “EO” (Poland); “The Quiet Girl” (a first for Ireland). The category has been criticized for allowing submissions to be chosen by each country’s government, a process that disadvantages filmmakers working in oppressive regimes. Iranian director Jafar Panahi, whose “No Bears” was hailed as one of 2022’s best, was imprisoned earlier this year.

Current politics were also front and center in the documentary category. Nominees include “Navalny,” an up-close portrait of the jailed Russian dissident Alexie Navalny; “A House Made of Splinters,” about a Ukrainian halfway house; and Laura Poitras’ “All the Beauty and the Bloodshed,” about Nan Goldin’s opioid activism. They were joined by the volcanologist romance “Fire of Love” and Shaunak Sen’s about three men’s efforts to save New Delhi’s pollution-ravaged birds of prey.

The Academy of Motion Pictures Arts & Sciences will surely celebrate a best picture field populated with blockbusters; according to data firm Comscore, their collective domestic box office of $1.574 billion is the most ever at the time of nominations. Ratings for the telecast have typically been higher in years with much-watched films as favorites. Last year’s awards had been looking like a comeback edition for the Oscars before “the slap” came to define the ceremony. In the aftermath, the academy banned Will Smith from attending for the next 10 years. Though he could have still been nominated, Smith’s performance as a runaway slave in “Emancipation” didn’t catch on.

But larger concerns are swirling around the movie business. Last year saw flashes of triumphant resurrection for theaters, like the success of “Top Gun: Maverick,” but less stellar results for most dramas. Partially due to an inconsistent stream of major releases, ticket sales for the year recovered only about 70% of pre-pandemic business. Stocks for streaming services, meanwhile have plunged as Wall Street looked to streaming services to earn profits, not just add subscribers.

Last year’s Oscar broadcast drew 16.6 million viewers, according to Nielsen, up from the record-low audience of 10.5 million for the pandemic-marred 2021 telecast. This year, ABC is bringing back Jimmy Kimmel to host the March 12 ceremony, one that will surely be seen as a return to the site of the slap.

———

Nominees for the 95th Academy Awards, announced today in Beverly Hills, California:

Best picture: “All Quiet on the Western Front”; “Avatar: The Way of Water”; “The Banshees of Inisherin”; “Elvis”; “Everything Everywhere All at Once”; “The Fabelmans”; “Tár”; “Top Gun: Maverick”; “Triangle of Sadness”; “Women Talking.”

Best actor: Brendan Fraser, “The Whale”; Colin Farrell, “The Banshees of Inisherin”; Austin Butler, “Elvis”; Bill Nighy, “Living”; Paul Mescal, “Aftersun.”

Best actress: Ana de Armas, “Blonde”; Cate Blanchett, “Tár”; Andrea Riseborough, “To Leslie”; Michelle Williams, “The Fabelmans”; Michelle Yeoh, “Everything Everywhere All at Once.”

Best director: “Martin McDonagh, “The Banshees of Inisherin”; Daniel Kwan and Daniel Scheinert, “Everything Everywhere All at Once”; Steven Spielberg, “The Fabelmans”; Todd Field, “Tár”; Ruben Ostlund, “Triangle of Sadness.”

Best supporting actress: Angela Bassett, “Black Panther: Wakanda Forever”; Hong Chau, “The Whale”; Kerry Condon, “The Banshees of Inisherin”; Stephanie Hsu, “Everything Everywhere All at Once”; Jamie Lee Curtis, “Everything Everywhere All at Once.”

Best supporting actor: Brian Tyree Henry, “Causeway”; Judd Hirsch, “The Fabelmans”; Brendan Gleeson, “Banshees on Inisherin”; Barry Keoghan, “Banshees of Inisherin”; Ke Huy Quan, “Everything Everywhere All at Once.”

International film: “All Quiet on the Western Front” (Germany); “Argentina, 1985” (Argentina); “Close” (Belgium); “EO” (Poland); “The Quiet Girl” (Ireland).”

Best animated feature: “Guillermo del Toro’s Pinocchio”; “Marcel the Shell With Shoes On”; “Puss in Boots: The Last Wish”; “The Sea Beast”; “Turning Red.”

Original screenplay: “Everything Everywhere All at Once”; “The Banshees of Inisherin”; “The Fabelmans”; “Tár”; “Triangle of Sadness.”

Adapted screenplay: “All Quiet on the Western Front”; “Glass Onion: A Knives Out Mystery”; “Living,”; “Top Gun: Maverick”; “Women Talking.”

Visual Effects: “Avatar: The Way of Water”; “Top Gun: Maverick”; “The Batman”; “Black Panther: Wakanda Forever”; “All Quiet on the Western Front.”

Music (original score): Volker Bertelmann, “All Quiet on the Western Front”; Justin Hurwitz, “Babylon”; Carter Burwell, “The Banshees of Inisherin”; Son Lux, “Everything Everywhere All at Once”; John Williams, “The Fabelmans.”

Original song: “Applause,” from “Tell It Like a Woman”; “Hold My Hand,” from “Top Gun: Maverick”; “Lift Me Up” from “Black Panther: Wakanda Forever”; “Naatu Naatu” from “RRR”; “This Is a Life” from “Everything Everywhere All at Once.”

Documentary feature: “All That Breathes’; “All the Beauty and the Bloodshed”; “Fire of Love”; “A House Made of Splinters”; “Navalny.”

Cinematography: James Friend, “All Quiet on the Western Front”; Darius Khondj, “Bardo, False Chronicle of a Handful of Truths”; Mandy Walker, “Elvis”; Roger Deakins, “Empire of Light”; Florian Hoffmeister, “Tár.”

Costume design: “Babylon”; “Black Panther: Wakanda Forever”: “Elvis”: “Everything Everywhere All at Once”: “Mrs. Harris Goes to Paris.”

Animated short: “The Boy, the Mole, the Fox and the Horse”; “The Flying Sailor”; “Ice Merchants”; “My Year of Dicks”; “An Ostrich Told Me the World is Fake and I Think I Believe it.”

Live action short: “An Irish Goodbye”; “Ivalu”; “Le Pupille”; “Night Ride”; “The Red Suitcase.”

Documentary short: “The Elephant Whisperers”; “Haulout”; “How Do You Measure a Year?”; “The Martha Mitchell Effect”; “Stranger at the Gate.”

Film editing: “The Banshees of Inisherin”; “Elvis”; “Everything Everywhere All at Once”; “Tár”; “Top Gun: Maverick.”

Sound: “All Quiet on the Western Front”; “Avatar: The Way of Water”; “The Batman”; “Elvis”; “Top Gun: Maverick.”

Production design: “All Quiet on the Western Front”; “Avatar: The Way of Water”; “Babylon”; “Elvis,” “The Fabelmans.”

Makeup and hairstyling: “All Quiet on the Western Front”; “The Batman”; “Black Panther: Wakanda Forever”; “Elvis”; “The Whale.”

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