LOS ANGELES >> Taylor Swift won album of the year at the Grammy Awards for “Midnights,” breaking the record for most wins in the category with four.

She began her speech by thanking her producer and friend Jack Antonoff and added, “I would love to tell you this is the happiest moment of my life,” she told the crowd, but said she feels this happy when she creates music and plays shows.

Earlier in the night, Taylor Swift used her 13th Grammy win on Sunday to announce her new album, “The Tortured Poets Department,” will arrive April 19.

“I know that the way that the Recording Academy voted is a direct reflection of the passion of the fans,” she said while accepting the best pop vocal album award. “So, I want to say thank you to the fans by telling you a secret that I’ve been keeping from you for the last two years.”

One of the night’s biggest awards, record of the year, went to Miley Cyrus for “Flowers,” her second-ever Grammy and second of the night.

“This award is amazing. But I really hope that it doesn’t change anything because my life was beautiful yesterday,” she said in her speech.

Victoria Monét won best new artist. “Thank you to the champagne-servers tonight,” Monét began her acceptance speech. “Thanks to my mom, a single mom raising this really bad girl.” Then she started to cry, telling the room that this award was “15 years in the making.”

Billie Eilish won song of the year for writing the “Barbie” hit, “What Was I Made For?” She thanked director Greta Gerwig for “making the best movie of the year.”

It was just one of several standout moments from Sunday’s show, hosted by Trevor Noah and broadcast live from Cypto.com Arena in downtown Los Angeles.

Karol G made Grammy history Sunday by becoming the first female performer to win best música urbana album for her blockbuster “Mañana Será Bonito” record.

“This is my first time at the Grammys,” she told the audience in English. “And this is my first time holding my own Grammy.”

Performances were many. Olivia Rodrigo brought her bloodsucking ballad “vampire” — or in this case, bloodletting, as red liquid dripped from the walls behind her. Joni Mitchell, 80, made Grammy history by performing “Both Sides Now” from her 1969 album “Clouds”; Travis Scott did a medley of “My Eyes,” “I Know?,” and “Fein.” Burna Boy was joined by Brandy and 21 Savage and did “On Form,” “City Boys,” and “Sittin’ on Top of the World.”

A long and touching In Memoriam segment celebrated many of the musical greats lost last year. Stevie Wonder performed “For Once in My Life” and “The Best Is Yet To Come” in honor of Tony Bennett; Annie Lennox delivered “Nothing Compares 2 U” for Sinéad O’Connor. “Artists for ceasefire, peace in the world,” Lennox said at the end of the song, her fist extended in the air.

Jon Batiste did a medley of “Ain’t No Sunshine,” “Lean On Me,” and finally “Optimistic” with Ann Nesby for the late great music exec Clarence Avant. Oprah introduced a fiery Tina Turner tribute of “Proud Mary” by Fantasia Barrino and Adam Blackstone.

SZA also took the stage — performing a medley of her larger-than-life hits “Snooze” and “Kill Bill,” joined by dancers wielding katanas. Later, she’d take home the trophy for best R&B song — for “Snooze,” handed to her by Lizzo. SZA ran to the stage and gave a charming, out of breath speech because she was “changing, and then I took a shot.”

Luke Combs’ delivered a heartfelt rendition of “Fast Car” with Tracy Chapman — his cover of the Chapman classic has dominated country radio and won him song of the year at the 2023 CMAs. In 1989 the song won Chapman best female pop vocal performance.

Dua Lipa opened the show with a high-octane medley: first, a tease of her forthcoming single, “Training Season,” then, her most recent single, “Houdini,” and finally, her disco-pop “Barbie” hit “Dance the Night.”

Eilish and Finneas also brought “Barbie” to the Grammys stage with live string accompaniment. They were followed by Cyrus, who performed “Flowers” for the first time live on television.

“Why are you acting like you don’t know this song?” she teased the crowd — John Legend and wife Chrissy Teigen were among those in the audience who got up to dance — and later cheered mid-song, “I just won my first Grammy!”

Best country album went to Lainey Wilson for “Bell Bottom Country,” — her very first Grammy — as presented by Kacey Musgraves. “I’m a fifth-generation farmer’s daughter,” she told the crowd, adding that she’s a “songwriting farmer,” and that’s where the musical magic came from.

Jay-Z was awarded the Dr. Dre Global Impact Award and used his speech to talk about the hip-hop greats that came before him — and heavily suggesting at the Grammys history of placing rap on the backburner — or at the very least, not in the televised version of the show. (This year, there were no rap categories on the telecast, but two pop, one Latin, one country and one R&B.)

“We want you all to get it right,” he said. “At least get it close to right,” before switching focus to Beyoncé. “Most Grammys, never won album of the year. How does that work?”

Bridgers took an early lead at the Grammys, quickly winning four trophies ahead of the main telecast, with her and her boygenius bandmates bringing an infectious energy to the pre-telecast Premiere Ceremony.

Jack Antonoff took home producer of the year, non-classical for a third year in a row, tying Babyface as the only other producer to do so consecutively. “You need the door kicked open for you,” he said in his acceptance speech. “Taylor Swift kicked that (expletive) door open for me,” he said.

The first of three new categories in 2024, best pop dance recording, went to Kylie Minogue for “Padam Padam” — her first win in 18 years.

About 80 Grammys were handed out pre-broadcast. Regional Mexican star Peso Pluma won his first Grammy for his first and only nomination, for best música Mexicana album for his “Genesis.”

Best African music performance, a new category which aims to highlight regional musical traditions and recognizing “recordings that utilize unique local expressions from across the African continent,” went to South African singer Tyla for her ubiquitous hit, “Water.”

“I never thought I’d say I won a Grammy at 21 years old,” she said in her acceptance speech. “Last year God decided to change my whole life.”

Killer Mike won three awards in quick succession Sunday night, but ended up in police custody before the main Grammys ceremony began because of an altercation, police spokesperson Officer Mike Lopez said.

The rapper won his first first Grammy in 21 years, for best rap performance for “Scientists & Engineers,” which featured André 3000, Future and Eryn Allen Kane. Soon afterward, they won for “best rap song.” Killer Mike also took home best rap album for “Michael,” cheering, “It is a sweep! It is a sweep!”

Billy Joel was both the penultimate and final performance of the night. First, he brought his new track “Turn the Lights Back on” — his first new music in decades — live to the Grammy stage. Then, after album of the year was announced, he returned to the stage for his 1980 classic, “You May Be Right.”

A welcome surprised was the inclusion of Celine Dion, who handed Swift her record-breaking trophy. “When I say I’m happy to be here, I really mean it from my heart,” she told the audience. In 2022, Dion revealed she was diagnosed with a rare neurological disorder called stiff person syndrome, which causes spasms that affect her ability to walk and sing.

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Below is a list of top winners at the 66th annual Grammy Awards.

A list of top winners at the 66th annual Grammy Awards.

ALBUM OF THE YEAR

“Midnights,” Taylor Swift

RECORD OF THE YEAR

“Flowers,” Miley Cyrus

BEST NEW ARTIST

Victoria Monét

SONG OF THE YEAR (SONGWRITER’S AWARD)

“What Was I Made For?” Billie Eilish and Finneas

BEST POP VOCAL ALBUM

“Midnights,” Taylor Swift

BEST POP SOLO PERFORMANCE

“Flowers,” Miley Cyrus

BEST COUNTRY ALBUM

“Bell Bottom Country,” Lainey Wilson

BEST R&B SONG

“Snooze,” SZA

BEST MUSICA URBANA ALBUM

“Mañana Será Bonito,” Karol G

BEST POP DUO/GROUP PERFORMANCE

“Ghost in the Machine,” SZA featuring Phoebe Bridgers

BEST ALTERNATIVE MUSIC ALBUM

“The Record,” Boygenius

SONGWRITER OF THE YEAR, NON-CLASSICAL

Theron Thomas

PRODUCER OF THE YEAR, NON-CLASSICAL

Jack Antonoff

BEST R&B ALBUM

“Jaguar II,” Victoria Monét

BEST PROGRESSIVE R&B ALBUM

“SOS,” SZA

BEST AUDIO BOOK, NARRATION AND STORYTELLING RECORDING

“The Light We Carry: Overcoming In Uncertain Times,” Michelle Obama

BEST REGGAE ALBUM

“Colors of Royal,” Julian Marley and Antaeus

BEST LATIN ROCK OR ALTERNATIVE ALBUM (tie)

“Vida Cotidiana,” Juanes and “De Todas Las Flores,” Natalia Lafourcade

BEST LATIN POP ALBUM

“X Mi (Vol 1),” Gaby Moreno

BEST RAP ALBUM

“Michael,” Killer Mike

BEST RAP SONG

“Scientists & Engineers,” Killer Mike ft. André 3000, Future and Eryn Allen Kane

BEST COUNTRY SOLO PERFORMANCE

“White Horse,” Chris Stapleton

BEST COUNTRY SONG

“White Horse,” Chris Stapleton

BEST FOLK ALBUM

“Joni Mitchell at Newport (Live),” Joni Mitchell

BEST POP DANCE RECORDING

“Padam Padam,” Kylie Minogue

BEST ROCK ALBUM

“This Is Why,” Paramore

BEST ROCK PERFORMANCE

“Not Strong Enough,” Boygenius

BEST ROCK SONG

“Not Strong Enough,” Boygenius

BEST AMERICANA ALBUM

“Weathervanes,” Jason Isbell and the 400 Unit

BEST METAL PERFORMANCE

“72 Seasons,” Metallica

BEST JAZZ INSTRUMENTAL ALBUM

“The Winds of Change,” Billy Childs

BEST JAZZ VOCAL ALBUM

“How Love Begins,” Nicole Zuraitis

BEST COMEDY ALBUM

“What’s in a Name?,” Dave Chappelle

BEST COMPILATION SOUNDTRACK FOR VISUAL MEDIA

“Barbie The Album,” various artists

BEST SONG WRITTEN FOR VISUAL MEDIA

“What Was I Made For?,” Billie Eilish

BEST SCORE SOUNDTRACK FOR VISUAL MEDIA

“Oppenheimer,” Ludwig Göransson

BEST MUSIC VIDEO

“I’m Only Sleeping,” the Beatles

BEST MUSIC FILM

“Moonage Daydream”

BEST MUSICAL THEATER ALBUM

“Some Like It Hot”

BEST GOSPEL ALBUM

“All Things New: Live in Orlando,” Tye Tribbett

BEST CONTEMPORARY CHRISTIAN MUSIC ALBUM

“Church Clothes 4,” Lecrae

BEST AFRICAN MUSIC PERFORMANCE

“Water,” Tyla